PETER ROWAN & TONY RICE QUARTET
 

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You Were There For Me

Quartet

Troubador, Bluegrass Band, Crucial Reggae, 
the Peter Rowan & Tony Rice Quartet, or
The Free Mexican Airforce ---
we've got the Peter Rowan for you!

Peter Rowan/Tony Rice Quartet
Acoustic music legends Peter Rowan and Tony Rice continue their fruitful collaboration with a dynamic and cohesive band grounded in traditional bluegrass, yet capable of spinning out extended improvisational journeys. The band's repertoire is equally intriguing, ranging from songs by Townes Van Zandt and Patti Smith to bluegrass standards, traditional ballads (Cold Rain and Snow), and classic Rowan originals (too many to list) and a stunningly reinvented Moonlight Midnight.

Click here to learn more!

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NEW DATE ANNOUNCED:

Tony Rice & Peter Rowan
Friday, January 18, 2008
at
Molly Malone's
    513-779-9462

      
Visit Website

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** Check out Reviews for Peter Rowan & Tony Rice's 
Album: You Were There For Me **

Bluegrass Now Magazine–
Peter Rowan & Tony Rice, Quartet
11661-0579-2A, Rounder Records, rounder.com, Playing time: 52:12  

Quartet  is a stellar effort by two of acoustic music’s legendary forces in bluegrass, newgrass and beyond.

Tony on guitar, Peter, guitar and vocals and Bryn Bright on bass and vocals, along with Sharon Gilchrist, mandolin and vocals, tug on your emotions from the outset with the haunting “Dust Bowl Children.” From there it only gets better as this very inspired quartet performs the lovely “To Live is to Fly,” featuring vocal harmony and Sharon ’s gorgeous mandolin lead. Click here to read more.

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Bluegrass Unlimited: Peter Rowan & Tony Rice Quartet
June 2007


You have only to listen to the first few measures of "Dust Bowl Children", the soulful Peter Rowan original that opens "Quartet", to realize this is one super-charged bluegrass/acoustic ensemble that clicks on all cylinders and then some.

Most listeners are already familiar with Rowan's soulful tenor voice and Rice's dazzling, fluid, and dexterous flattop guitar virtuosity. But, Rice and Rowan meet their match with acoustic base player Bryn Davies. Click here to read entire article.

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Tony Rice, Peter Rowan coming to LCHS Saturday

Lincoln County may be one of the most rural counties in all of West Virginia, but that hasn't stopped some of the legends of the music world from visiting. In the last few months the Lincoln County Friends of the Arts Concert Series has brought in great performers such as Dr. Ralph Stanley, Blue Highway, Kathy Mattea, and Loretta Lynn.

This Saturday night, two more music legends will appear in concert in Hamlin when the Peter Rowan - Tony Rice Quartet takes the stage. The concert will be at the Lincoln County High School auditorium, and the show will start at 8 p.m. For more information on tickets, call 304-756-2585.

The Peter Rowan - Tony Rice Quartet have a new CD out on Rounder Records simply called Quartet. Rounding out the band is mandolin player Sharon Gilchrist, and in the last few weeks the band has been auditioning new bass players to take the place of Bryn Davies, who is now touring with Patty Griffin. Click here to read more of the article.

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Goings On About Town
Night Life
March 19, 2007 The New Yorker

ROCK AND POP

Musicians and night-club proprietors live complicated lives; it’s advisable to call ahead to confirm engagements.

B. B. KING BLUES CLUB & GRILL

237 W. 42nd St. (212-997-4144)—March 14: Peter Rowan and Tony Rice. If bluegrass has a guitar god, it’s Rice, who has left a generation of aspiring guitarists trying to duplicate his clean, speedy, otherworldly sound. His partner, Rowan, is a master of high lonesome who came of age in Bill Monroe’s Blue Grass Boys and went on to record, with Jerry Garcia, Vassar Clements, and David Grisman, the legendary live bluegrass album “Old & in the Way.” March 15: The Commitments, a soul ensemble with roots in the 1991 Alan Parker film of the same name (and featuring a smattering of alumni from the original cast). March 16: Little Feat. Although this great Southern-fried band has never been the same since the death of its leader, Lowell George, in 1979, it always gives an enthusiastic show. March 17: Black 47 celebrates St. Patrick’s Day. March 18: Ralph Stanley and his Clinch Mountain Boys. Like a bootlegger in the days of old, the banjo picker Stanley roams the small towns in the mountains of Virginia, Tennessee, and Kentucky. Instead of dropping off moonshine, though, he gathers young musicians and cooks up top-shelf bluegrass. March 19: BeauSoleil avec Michael Doucet. The Cajun fiddler Doucet and his band heap accordion licks and French lyrics on everything in sight. It’s the way these folks have kept their musical culture alive for the past three decades.

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NO DEPRESSION
January/February 2007

Peter Rowan & Tony Rice Quartet (Rounder)

Acoustic guitar god Tony Rice and bluegrass vocal stylist Peter Rowan teamed with mandolinist Sharon Gilchrist and bassist Bryn Davies - Rowan's longtime touring partner- to create an album that sounds at once ancient and timeless.

Contemporary material from Patti Smith ("Trespasses") and Townes Van Zandt ("To Live is To Fly") blends seemlessly with standards such as "Shady Grove", "Sunny Side of The Mountain" and "Cold Rain And Snow".  The group also explores several classic Rowan originals, including "Walls of Time", "Moonlight Midnight" and "Let The Harvest Go to Seed".  "Perfection", a newer, uptempo gospel number, exemplifies a spiritual quality that runs throughout the record.

Each member of the quartet makes a unique contribution to the fabric of this project.  Rice's fluid playing is the perfect complement to Rowan's earnest falsetto.  But it's the brilliant harmonies and understated instrumental flourishes of Gilchrist and Davies that make this a truly cohesive work. - David Baxter.

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Rounder Records
MARCH 6, 2007

THE PETER ROWAN AND TONY RICE QUARTET ANNOUNCES NEW TOUR DATES AS QUARTET GAINS MOMENTUM ON BLUEGRASS AND AMERICANA RADIO CHARTS

Burlington, MA – On March 14, the Peter Rowan and Tony Rice Quartet will kick off a string of tour dates in support of their critically-acclaimed new studio album, Quartet.  Released in January, Quartet showcases music from these two acoustic music legends, supported by Sharon Gilchrist (mandolin, vocals) and Bryn Davies (bass, vocals).   The album is gaining momentum on national radio charts, ranking #3 on Billboard’s Bluegrass chart and #8 on R&R’s Americana chart.  No Depression calls Quartet “a truly cohesive work…brilliant harmonies and understated instrumental flourishes…”  Guitar maverick Tony Rice was recently featured in Performing Songwriter (January/February issue) and will soon be the subject of a cover story in Acoustic Guitar (June issue). Click here to read the rest of the article.

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HONEST AMERICANA: BROMBERG, ROWAN & RICE
Words by: John Waldman
JamBase
David Bromberg with Peter Rowan & Tony Rice
01.11.07 :: Palace of Fine Arts :: San Francisco, CA  

After a short break it was time for Peter Rowan & Tony Rice with sexy Bryn Davies (formerly Bryn Bright) on standup bass and sultry Sharon Gilchrist on mandolin. They were "on" from the start, with a "Panama Red" opener followed by a fan favorite, "Hobo Song." Rowan was having fun, playing off everyone and directing solos. Gilchrist was intense and Davies was all over the place. But, it's Tony Rice who cuts the most dashing figure on stage. With his trademark ponytail, tailored suit, and taciturn expression, he has to be one of the smoothest guitarists of all time. After a particularly nice guitar solo from Rowan, Rice took over and just played rings around everyone - always in control, never flailing or exaggerating, just smooth as silk with a fleeting hint of a smile. They played a couple of instrumental jams that gave everyone room to step out, and a few songs from their new album Quartet, including the haunting "Dust Bowl Children." The only downside to the set was that it was too short, but with an 11:00 p.m. curfew, things needed to move along so that Bromberg had enough time.   Click here for more of the article

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Tall Stacks Music, Art Festival
Dec. 2006

Peter Rowan & Tony Rice have been buddies for a while but the addition of Bryn Bright and Sharon Gilchrist had these bluegrass legends reaching new heights.  The quartet laid down a wonderful version of  "The Free Mexican Airforce," though not before Rowan divulged an entertaining explanation of the song's enlightened origins (Apparently wings aren't always necessary for flying.)  Rowan then joined old friend Junior Brown during his set for a few tunes later in the afternoon.  Click here for more.

No Depression
Nov/Dec Issue

Peter Rowan & Tony Rice
You Were There For Me

Like Bill Monroe, in whose band Rowan served some 40 years ago, Rowan is both powerful and idiosyncratic; he has built a career around a unique combination of deep roots and sometimes fanciful eclecticism. Tony Rice’s approach is more studied and deliberate, yet he too has ranged widely, from traditional bluegrass through (the unfortunately named) “spacegrass” and “new acoustic” music, with a crowd of acolytes and imitators trailing behind.  Click here for more.

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NEW YORKER MAGAZINE
NOVEMBER, 2004

B. B. KING BLUES CLUB & GRILL
237 W. 42nd St. (212-997-4144)—Nov. 3: The Tony Rice and Peter Rowan quartet. If bluegrass has a guitar god, it’s Rice. His graceful playing has left a generation of aspiring guitarists trying to duplicate his clean, high-speed, otherworldly sound. He also had a warm baritone, but a decade ago overuse diminished it. He turned the singing over to Rowan, a master of high lonesome who came of age in Bill Monroe’s Blue Grass Boys and went on to record, with Jerry Garcia, Vassar Clements, and David Grisman, the legendary live bluegrass album “Old & In the Way.” Rice and Rowan have played together for years, but they have only now completed their first full studio album, “You Were There for Me.” http://www.newyorker.com/goingson/nightlife/

Relix
November 2004
Peter Rowan and Tony Rice

You Were There for Me
This pairing of long-time friends and musical legends Peter Rowan and Tony Rice is a musical marriage made in heaven.  Rowan’s one of the most expressive and resonant vocalists around and Rice is one of the most inventive and imaginative flat-picking guitarists of all time.  Thankfully, they are both in top form on this ten-cut disc.  The two have considerable command of multiple musical genres and they exude warmth and joy as they weave their way through this mix of bluegrass, blues, country and folk material.  The title cut is a highlight as are “Shirt Off My Back” and a jazzy take on “Cowboys and Indians.”  These two bring new twists and nuances to familiar music.