BLUE HIGHWAY
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N E W S . A N D . R E V I E W S

 

Marbletown Reviews
WONDROUS LOVE Reviews

Reviews for Blue Highway's New Album, Through the Window of a Train

Among the most influential bands on today's acoustic music scene, Blue Highway continues to uncover new routes and destinations in its ongoing exploration of the frontiers of bluegrass. Through the Window of a Train, their eighth album, features a stunning batch of brand new original songs brought to life via masterful arrangements, precise picking, and the soulful lead and harmony vocals of the band's three distinctive lead singers. Each a respected artist in his own right, the five members of Blue Highway combine their individual virtuosity with unparalleled musicianship and group empathy to create bluegrass that is sophisticated yet earthy, intimate yet universal. Each note they play resonates with heart, soul, commitment, and friendship - resulting in a sound bringing together the very best of bluegrass's past, present, and future. – Amazon.com 

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Classic Blue Highway. After 10 years, they have earned the accolade. 

Three lead singers - all talented enough to front a national level band. The rich harmony work is of the Blue Highway signature stack. Wayne Taylor sings with the emotion of man who escaped the coal mines and ain't planning on going back. Tim Stafford continues to craft songs with depth. Some of the best work of Alison Krauss was from his catalogue. 

The instrumentation is perfect. From the get go, Jason Burleson opens with the unique style that defines Blue Highway banjo. Rob Ickes continues his Dobro mastery. Shawn Lane exemplifies modern mandolin, yet nods to Monroe legacy with powerful down-strokes on "V Bottom Boat." 

They speak to social consciousness too, with songs of forgotten homeless veterans, fallen heroes, and heartbroken families. 

The CD is a fine example of how far down the bluegrass highway a democratic band can travel. After all these years, they must have some artistic differences of opinion, but when they speak music, it is with a unified voice. Blue Highway personifies modern acoustic music with respect for tradition. Highly recommended, highly respected.- Country Standard Time, Dr. Bobby Jones 

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Blue Highway is no stranger to the bluegrass scene. Having released 7 previous albums throughout the group’s lengthy and celebrated career, “Through the Window of a Train” marks the band’s fourth on the Rounder label.

The cover art for the album, predominantly white, with a black and white image across the center third, is in stark contrast to the contents. ” ‘Window of a Train” is a veritable rainbow of musical colors and canvasses. From the dark and sad subject matter of “Homeless Man,” the fiery delivery on the instrumental “The North Cove” to the reflective “Life of a Travelin’ Man,” a telling narrative of the blur of life on the road, Blue Highway paints a masterpiece on “Through the Window of a Train.”

Blue Highway recorded the project at Maggard Sound in Big Stoney Gap, Va., far away from the “music factory mind-set” of big city studio confines, in an effort to gain an “off the cuff” and spontaneous approach that shines through on the final product. While this approach isn’t for the faint of heart, a less seasoned outfit could easily burn through a recording budget or two unsuccessfully trying to capture the essence Blue Highway captures on “Through the Window of a Train.” After a listen or two, it’s no wonder Blue Highway’s members are such in-demand session players.

The CD features 12 cuts that members of the celebrated group wrote or co-wrote. The songwriting on ” ‘Window of a Train” is the foundation and strength of the project. Yeah, the musicianship the group displays is tops, but it’s songs of this caliber that will mark Blue Highway as one of the great Bluegrass groups in the annals of bluegrass history.

A warning is in order: If you get a copy of this great CD, make sure and break the news easy to the rest of CDs in your collection. They won’t be seeing the light of a laser for a while. – Bluegrass Journal, Travis Tackett

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Reviews for Blue Highway

"...all-star bluegrass quintet..." "…first-rate songwriters, and they're even better pickers…"- Brain Mansfield, USA Today 

"Blue Highway is writing their own history in bluegrass: fresh, but as old as the hills." - Ricky Skaggs

"Whether they're on record or they're putting on a show, it's tight and it's right!" - Sam Bush

"Why are these guys super? They can make your heart soar even as it's breaking." - Bob Cannon, Entertainment Weekly

"The five members of this group are as nimble-fingered as almost anyone in bluegrass music. Blue Highway always excels at coming up with interesting, varied material."- Ralph Novak, People Magazine

"Blue Highway is an unusually cohesive group with a strong musical identity."- Jon Weisberger, No Depression

"...one of bluegrass' greatest bands reaching for ever higher musical peaks." - David McCarty, Acoustic Guitar

"The most potent traditional-bluegrass group this side of the Del McCoury Band." - Mikel Toombs, San Diego Union Tribune

"This as close to a bluegrass supergroup as there is on the road today." Billboard Magazine

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Blue Highway's International Bluegrass Music Award nominations! 

Blue Highway has been nominated for Vocal Group of the Year, and Instrumental Group of the Year at the 2007 IBMA awards!  Click here to read the entire IBMA nomination list.

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Top 20 Albums of 2005

Gritz Magazine
By Derek Halsey

Number 3 
Marbletown 
Blue Highway
 
(Rounder Records) 
 
Blue Highway has been around a long time now and has won many IBMA awards as well as received Grammy nominations. Their albums, combined with their reputation as a live band, has garnered them much praise over the years. The good news is that they haven't rested on their laurels and have somehow put together one of their best albums ever with "Marbletown." Blue Highway features Tim Stafford on guitar and songwriting, the seven-time IBMA Dobro player of the year Rob Ickes, Shawn Lane on guitar, fiddle, mandolin and songwriting, Wayne Taylor on bass, vocals, and songwriting, and on banjo and bass vocals is Jason Burleson.

What is great about this album is that it falls into my category of 'modern bluegrass music for modern times.' Blue Highway is one of the current bands that feel that bluegrass history is being made right here, right now, and not just 60 years ago. There is not a bad cut on "Marbletown." The picking and lead and harmony singing are as solid as ever. Add to that great songwriting and arrangements and you have what will probably be viewed in the years to come as a bluegrass classic.

The hard driving title cut, which starts off the album, is an instantly recognizable song that you would swear you have heard before. There are some other great story songs on here, including "Nothing But A Whippoorwill," "Tears Fell On Missouri," and the western-themed tribute to Wild Bill Hickok in "Wild Bill." Love songs are well represented here with the beautiful songs "Message From The Wind" and "Quarter Moon." There are also some real barn burners on this album, including the smoking instrumental by Rob Ickes called "Three-Finger Jack," and the 100-miles per hour "Endless Train" that ends the album.  
I'll say it again; every song on this album is a winner. If you love bluegrass at all, this is a must have CD. If you haven't listened to a lot of bluegrass music before and want to get onboard, I couldn't think of a better album than this one to get you hooked.

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December 8, 2005
KEITH CASE AND ASSOCIATES ROSTER BOASTS THREE ARTISTS WITH A TOTAL OF SIX GRAMMY NOMINATIONS

The 48th annual GRAMMY nominations were announced today by the Recording Academy in New York City. Keith Case and Associates artists received six nominations in five categories. Alison Krauss and Union Station led the way with four nominations including Best Country Album (Lonely Runs Both Ways, Rounder Records). Dobro virtuoso, Jerry Douglas, also received a nomination for Best Country Instrumental Performance ("Who's Your Uncle?" from his new release The Best Kept Secret, Koch Records). In addition, Blue Highway's Marbletown (Rounder Records) was recognized with a nomination for Best Bluegrass Album. A complete list of these and all KCA nominated categories is below. Click here for more