Bromberg,
Angel Band: heavenly harmonies
Thursday, December 07, 2006
By Mark Bialczak
Staff writer | More From The Post-Standard
David Bromberg was the star Wednesday night at the Palace Theatre. He ably
showed off his big, deep voice, an embracing sense of humor and guitar skills
that earned him the key spot in the studio for hundreds of important American
recording sessions.
But the best times came when the members of the Angel Band joined their three
beautiful voices with his wondrous work.
It wasn't your regular, old one-band-opens-and-the-headliner-follows.
Thankfully.
The Angel Band took the stage first. The three grand voices of Nancy Josephson,
Jen Schonwald and Kathleen Weber, making her debut as part of the trio, filled
the old movie theater from top to bottom, gorgeously thrilling the crowd that
smartly got there in time.
Then their backup band marched on, and it was Bromberg himself on guitar, with
his current band: Bobby Tangrea on mandolin, Butch Amiot on bass and Jeff Wisor
on fiddle.
The onstage chemistry made them all sizzle, and not just because Josephson
happens to be Bromberg's wife, too.
This cast was touched by the special kind of magic that makes a night of music
memorable. Josephson shined in the role as leader, charming the crowd with her
comments as well as with her vocals.
She told the crowd of how the Angel band recently sang backup to Linda Ronstadt.
But with a three-to-one advantage, the band hijacked the song away from the
star.
"Thus, we are known as the Tonya Hardings of folk music," Josephson
said.
Their songs spilled over with spirit. "Hold Me Angel" soared with
perfect harmony.
Even a run of songs that dealt with death, "Time Is Winding Down,"
"Do Not Stand at My Grave and Weep" and "Lydia," throbbed
with life and passion. The just-about-perfect "Angel in the Morning"
raised goosebumps.
After intermission, Bromberg showed that he's a cool customer leading a band,
too, as well as the owner of a booming voice that's too often been overshadowed
by his instrumental talents.
"Don't Let Your Deal Go Down" and "As the Years Go Passing
By" showed why the everlasting love of the blues and traditional string
sounds paid off for the guy who was a big part of the mid 1960s Greenwich
Village folk movement.
The band left to let Bromberg's solo style sink in. "Try Me One More
Time," which will be the title cut from his album due out in February,
proved that the 16 years between studio albums didn't diminish his power a bit.
And then Bromberg cut the power to his mike and guitar for "Little Bit of
Rain." Midway through the song and halfway back in the center aisle, the
Angel Band women showed up to add their harmony.
The juice was turned on again, literally and figuratively, and everybody grooved
to a very funky version of the blues standard "Who Do You Love."