Saturday,
February 7, 1998
The legendary
gospel group, The Fairfield Four, visited a Music City school
yesterday to do what it does best – belt out a few of the group’s
favorite songs.
The group put on a
performance for students at Caldwell Early Childhood Center as part of
the school’s Black History Month celebration yesterday.
The Fairfield Four
won the 1996 James Cleveland Award, the highest honor in black gospel
music.
The group was
founded in the early 1920s at Nashville’s Fairfield Baptist Church.
Times Herald Record
Middletown,
NY
The Fairfield
Four – “I Couldn’t Hear Nobody Pray” (Warner Bros.)
Glory to the
Fairfield Four. The gospel quintet’s “I Couldn’t Hear Nobody Pray” is
a great album.
But what else
should we expect from one of the world’s musical treasures?
The group that was first formed in the 1920s makes music that
may be rooted in gospel, but it’s rich with the roots of most of
popular music, from doo-wop to rhythm and blues.
Anyone with a soul can’t help but be moved by it.
Just ask Elvis
Costello and Pam Tillis. Costello
sings with the Fairfield Four on his Paul McCartney collaboration.
“That Day is Done,” while Tillis adds her slinky voice to
“Get Away Jordan.” But
even though those two performances are terrific and illustrate the
connection of country and pop to gospel, the real story of this album
is the singing of Robert Hamlett, Isaac Freeman, Walter Settles,
Joseph Rice, and James Hill.
On tunes such as
“Noah,” “Come On In This House” and “Amazing Grace,” which
also features a narration by Garrison Keillor, their voices reach down
as deep as the rumbles in your gut. They soar as high as a breeze and feel as soft as a caress.
And even though a piano is featured on two tunes, the Fairfield
Four use their voices to create the chugging, churning, syncopated
sound of a band.
If you aren’t moved by this magnificent music, you are unmovable.
“I
Couldn’t Hear Nobody Pray”
Warner
Brothers ****
Fresh off a
powerhous tour with John Fogerty, the Fairfield Four carry on their
near mythic legacy on this new album blending contemporary and very
traditional gospel soul.
The a capella
harmonies are marvelously intact, from the spirited album-opener
“Noah,” (a crowd favorite on the Fogerty tour) to the growling and
glorious title track and the absolutely uplifting “There Must Be a
City.”